Prose that raises important questions

Anuradha Roy’s third novel opens on a harrowing note, with seven-year-old Nomita witnessing the murder of her father by axe-wielding masked men after they invade their home. In the same incident she loses her beloved brother, who runs away, and is aban­doned by her mother. “When the pigs were slaughtered for their meat they shrieked with a sound that made my teeth fall off and this was the sound I heard,” the daughter recalls of the violence that changes her life overnight. Such a brutal and jarring beginning is befitting a novel that is deeply disturbing, even though the rest of it is definitely less savage than the first chapter.People make religious trips to the coastal town of Jarmuli in India. But, now as a 25-year-old and a filmmak­er’s assistant, Nomita is making the journey for a completely different reason: to confront her past trau­mas. She spent six years living in an ashram in Jarmuli under a revered guru who emotionally, physically, and sexually abused her and the other children in his care when the world wasn’t watching. This story, that takes place over five days, is told in flashbacks, and as the barbarity of the guru’s crimes are gradually revealed, you can’t help but shud­der, but you are still unable to put the book down. Such is the power of Roy’s prose.

In a way, the book is a brave attempt to reveal the hypocrisies of the Indian society. Roy talks about dhoti-clad priests who fuss about what women wear to temples to a history that’s largely told through erotic cravings on temple walls, and yet how sex is still a taboo of sorts in India. While narrating an engaging story, she pinpoints what is so fundamentally wrong with the Indian society to make violence and misogyny norms of its culture.

There are also references to the epic Mahabharata, where good trumps evil. However, in ‘Sleeping with Jupiter’, the evil against women and children and homosexuality are made out to be things that can’t be challenged so long as hypocrisy and patriarchy rule our societies. Roy, through Nomita and other interwo­ven characters, brings to the fore­front issues many would largely turn a blind eye to or cover up. And, while doing so, she also manages to raise some important questions on what it means to be a woman in contemporary India in a way that simply cannot be forgotten.